My favorite writer growing up is dead. He inspired my love of science
fiction, writing, acting and my passion for believing in the wonders of
the mind and of being who you are, your own way!
Science fiction author Ray Bradbury regales his audience with stories about his life and love of writing in "Telling the Truth."
Science fiction author Ray Bradbury regales his audience with stories about his life and love of writing in "Telling the Truth."
From the Chicago Tribune..click here:
Ray Bradbury,
whose books took readers on imaginary journeys to the outermost edges
of the galaxy without leaving their own back yards, has died at age 91,
according to published reports. The author of classic books such as
"Fahrenheit 451" and "The Martian Chronicles" was born in Waukegan, Ill,
on Aug. 22, 1920, the son of a utility lineman. He was living in Los
Angeles at the time of his death, his home for the past several decades.
Bradbury's daughter confirmed his death to the Associated Press on Wednesday morning. She said her father died Tuesday night in Southern California.
Bradbury's daughter confirmed his death to the Associated Press on Wednesday morning. She said her father died Tuesday night in Southern California.
Author of more than 27 novels
and story collections and more than 600 short stories, Bradbury has
frequently been credited with elevating the often maligned reputation of
science fiction. Some say he singlehandedly helped to move the genre into the realm of literature.
“The only figure comparable to mention would be [Robert A.] Heinlein and then later [Arthur C.] Clarke,” said Gregory Benford, a UC Irvine physics professor and Nebula Award-winning science fiction writer. “But Bradbury, in the ‘40s and ‘50s, became the name brand.”
Much of Bradbury's accessibility and ultimate popularity had to do with his gift as a stylist — his ability to write lyrically and evocatively of lands an imagination away, worlds he anchored in the here and now with a sense of visual clarity and small-town familiarity.
Bradbury frequently attempted to shrug out of the narrow “sci-fi” designation, not because he was put off by it, but rather because he believed it was imprecise.
“I'm not a science fiction writer,” he was frequently quoted as saying. “I've written only one book of science fiction [“Fahrenheit 451”]. All the others are fantasy. Fantasies are things that can't happen, and science fiction is about things that can happen.”
Ray Douglas Bradbury was born Aug. 22, 1920, in Waukegan, Ill., to Leonard Spaulding Bradbury and the former Esther Marie Moberg. As a child he soaked up the ambiance of small-town life — wraparound porches, fireflies and the soft, golden light of late afternoon — that would later become a hallmark of much of his fiction.
“When I was born in 1920,” he told the New York Times Magazine in 2000, “the auto was only 20 years old. Radio didn't exist. TV didn't exist. I was born at just the right time to write about all of these things.”
“The only figure comparable to mention would be [Robert A.] Heinlein and then later [Arthur C.] Clarke,” said Gregory Benford, a UC Irvine physics professor and Nebula Award-winning science fiction writer. “But Bradbury, in the ‘40s and ‘50s, became the name brand.”
Much of Bradbury's accessibility and ultimate popularity had to do with his gift as a stylist — his ability to write lyrically and evocatively of lands an imagination away, worlds he anchored in the here and now with a sense of visual clarity and small-town familiarity.
Bradbury frequently attempted to shrug out of the narrow “sci-fi” designation, not because he was put off by it, but rather because he believed it was imprecise.
“I'm not a science fiction writer,” he was frequently quoted as saying. “I've written only one book of science fiction [“Fahrenheit 451”]. All the others are fantasy. Fantasies are things that can't happen, and science fiction is about things that can happen.”
Ray Douglas Bradbury was born Aug. 22, 1920, in Waukegan, Ill., to Leonard Spaulding Bradbury and the former Esther Marie Moberg. As a child he soaked up the ambiance of small-town life — wraparound porches, fireflies and the soft, golden light of late afternoon — that would later become a hallmark of much of his fiction.
“When I was born in 1920,” he told the New York Times Magazine in 2000, “the auto was only 20 years old. Radio didn't exist. TV didn't exist. I was born at just the right time to write about all of these things.”
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